College Receives Funding to Restore Major Japanese Artwork

http://news.brynmawr.edu/files/2015/04/Genji.jpg

 

With its golden pigments and delicately painted detail, the 19th-century Japanese screen in Bryn Mawr’s Special Collections illustrates the moment when the “shining prince” Genji first sees his future beloved, Murasaki.

Donated by Asian art historian Helen Burwell Chapin, Class of 1915, the screen is the work of Kanō Seisen’in Osanobu, the last great master of the Kanō School of painting, a four-century-long tradition central to the visual cultural and heritage of Japan.

A significant piece of Japan’s cultural heritage—scholars believe it was part of a Shogunal dowry—the screen is in need of restoration. And Bryn Mawr is on the job.

With support from a $20,000 grant from the Sumitomo Foundation of Japan, Collection Manager for Art and Artifacts Marianne Weldon will be overseeing conservation work to be undertaken by Nishio Conservation Studios in Washington, D.C., one of the leading conservators of Asian art in the United States. Over the past year, Weldon has been working with History of Art doctoral student Anna Moblard Meier M.A. ’14 to identify and evaluate the College’s Japanese art collections.

Moblard Meier played an especially critical role in identifying the potential importance of the screen, doing background research on the work and the artist, and determining that the previously unidentified screen depicts a key moment from The Tale of Genji, a classic work of Japanese literature.

An incredibly rare example of Osanobu’s adept homage and adaptation of classical conventions, the screen tempted curators from the Philadelphia Museum of Art when they reviewed it last summer as they prepared for the exhibition Ink and Gold: Art of the Kanō. But although the pigments and painting are intact, the work had been structurally damaged over time and too fragile to be displayed.

The restoration of the screen will take about two years, and when the work is completed, the screen will be displayed in Canaday Library.

Finding Henry Joel Cadbury (1883-1974)

While I was rummaging through boxes of negatives produced long ago by Bryn Mawr’s Slide Library/Visual Resources photographers, I made a surprising discovery. Amidst hundreds of copystand images of architectural plans, sculptures, and paintings (all in 4 x 5 inch glassine protective envelopes), there was a lone interloper.

It was small, folded and faded, an Alumnae Association letter envelope, with what looked like airplane flight times scribbled on its exterior. Within the envelope was a solitary Kodak Safety film negative(6 x 6 cm , a 120 Medium format negative) pale in the office light. By squinting, I could make out trees forming a background for an open space in which a primly dressed middle-aged gentleman sat on a stone wall.  But what were those figures beside him? I blinked and then gasped as I realized I was staring at the old Deanery garden’s well-head with bronze putti figures in situ. For years, I had been interested in the history of the Deanery, one of the college’s oldest buildings (now, no longer extant), its contents, and its garden. And here, before me, was an image of someone enjoying the peace and quiet of that green space so beloved by Bryn Mawr College’s second president, M. Carey Thomas.

As a background note — During one of her European travels, Miss Thomas commissioned the Chiarazzi Foundry in Naples to produce 12 decorative bronze “cupids” for her newly established garden planned by John Olmsted and Lockwood de Forest, following the Deanery’s recent architectural expansion.  The Chiarazzi’s specialized in replicating ancient Greek and Roman art works. These bronze putti , some holding birds, others with dolphins, replicated figures from Herculaneum’s Villa dei Papiri. From perhaps 1910 until the mid 1960’s, these four (24 inch high) figures decorated the garden’s  well-head  not too far from eight other smaller (18 inch high) fountain figures surrounding the garden’s pool.

The Deanery, formerly the residence of Dean, then President, M. Carey Thomas, was later used by the Bryn Mawr College Alumnae Association from 1933 until 1968 when the structure, deemed unsafe, was demolished to make way for the construction of Canaday Library. The Deanery garden area which remains, was renamed the Blanca Noel Taft Memorial Garden in 1974.

But back to the image in my hand.  I wondered who was that solitary man sitting in the garden? And why was the photograph taken? The first question was easily answered since the envelope’s front had the penciled notation “Dr. Cadbury.”   The English Quaker Cadbury’s were the ones who made  chocolate, I remembered, while the American branch was a well known Quaker family in the Philadelphia area. Dr. Cadbury ‘s grandfather, Joel Cadbury, had  immigrated from England to Philadelphia back in 1815.

PA_Cadbury_Henry_005_f

Henry Joel Cadbury (1883-1974), a graduate of Haverford College (1903) and Harvard (Ph.D. 1913 or 1914), taught the classics and Biblical studies at Haverford, Bryn Mawr, and Harvard’s Divinity School for many years before becoming a member of Bryn Mawr College’s Board of Directors in 1948 and its Chairman in March 1956. Perhaps this photograph was taken that year to commemorate that event.

Dr. Cadbury, a modest man, slight in build, was passionately committed to teaching and scholarship along with Quaker pacifism and service.  In addition to his academic duties, he was a well-travelled lecturer and author of over 29 books & pamphlets, with more than 100 periodical contributions.  His final 3 books were published all in the same year, 1972, when he was 88 years old. He was one of the founders, in 1917, of the new emergency Quaker organization, the American Friends Service Committee, and in 1947 Dr. Cadbury went to Oslo to receive the Nobel Peace prize on behalf of Quakers worldwide.

I find it amazing that the photographer, whoever it was, caught Henry Cadbury in a quietly composed moment, now frozen in time. The man looks bemused. Perhaps there is a twinkle in his eye, as he enjoys the juxtaposition of staid College trustee, Quaker historian, and Biblical scholar with cavorting naked cupids.  I later found that there is a small photograph printed from this negative in the Bryn Mawr College Archives, but it is not dated. There is writing on the photograph’s back that indicates that it was to be cropped – but in what publication was it printed?  Perhaps we will never know.

As for the Transamerican Airline flight times scribbled on the envelope – they do not help date the image. That airline operated only after Henry J. Cadbury’s death, in 1974.

Most of the biographical material above was culled from Margaret Hope Bacon’s 1987 biography of Dr. Cadbury, “Let this Life Speak.”  But if you want to hear Henry Joel Cadbury speak for himself and in his own voice, his digitized lectures on Quaker thought, on Haverford and Bryn Mawr College are available through :

http://triceratops.brynmawr.edu/dspace/search  then search for “Cadbury”

This includes his last lecture, words spoken at the rededication of the 12th Street Meetinghouse, September 29, 1974, only 8 days before his death on October 7th.

http://triceratops.brynmawr.edu/dspace/bitstream/handle/10066/4562/Track02.mp3?sequence=3

He was truly a gentleman and a scholar.

This image was scanned from the negative for College Archives photograph PA_Cadbury_Henry_005.

Written by Nancy J. Halli 4/2015

BMC Visual Resources, Image Cataloger

Identification and Preservation of Prints

Location: Bryn Mawr College

Speaker: Samantha Sheesley, Paper Conservator, CCAHA

Date: June 2, 2015

Time: 9:30 a.m. – 3:30 p.m.

Fee: $60

Major funding for this program was generously provided by the William Penn Foundation, with additional support from The Pew Charitable Trusts, the Philadelphia Cultural Fund, the Independence Foundation, and the Pennsylvania Council on the Arts.

For more information: http://www.cvent.com/events/collections-care-training-2015/event-summary-766a6ad1daff429bafde4b6fd6d65485.aspx

 

Creative Dissent: Art of the Arab World Uprisings.

Exhibition opening at Bryn Mawr College January 22nd

The creative vitality of the continually evolving uprisings commonly referred to as the Arab Spring is captured in this immersive multimedia exhibition on loan from the Arab American National Museum in Dearborn, Michigan.  The exhibition’s curator, Christiane Gruber, Associate Professor of Islamic Art at the University of Michigan, will give the exhibition’s opening talk Thursday evening, January 22nd. Professor Gruber has published widely on contemporary issues in Islamic art, including a recent piece in Newsweek on the history of images of Mohammed in Islamic art

Along with the exhibition, Bryn Mawr is welcoming Ganzeer, one of the artists whose work figured prominently in the uprisings against the Mubarak and military governments in Egypt. Ganzeer will be meeting with classes and informal groups during the last week of January, and will give a public talk Monday evening, January 26, and participate in a public conversation on Tuesday, January 27th. The College has just acquired Ganzeer’s new set of silkscreen prints, “Of Course,” that recognize demonstrators who were brutalized by the military. The prints will be featured in the exhibition. Ganzeer has also just opened a new show at the Leila Heller Gallery in New York City that was featured in an article in The Nation.

See the exhibition’s website for additional information about the programs and speakers:

http://www.brynmawr.edu/library/exhibitions.html

See an article in The Nation about Ganzeer’s current exhibition in New York:
http://www.newsweek.com/koran-does-not-forbid-images-prophet-298298

See a recent Newsweek article on Images of Mohammed:
http://www.newsweek.com/koran-does-not-forbid-images-prophe…

OfCourseSmall_000

Ganzeer. “Of Course, Blue Bra Lady” Silkscreen print, 2014. (2015.6.5)

 

Field Trip to the Cooper Hewitt Museum

Look out, New York City! A piece from our very own Bryn Mawr College’s Special Collections has already been carefully packaged and placed on a truck bound for the Cooper Hewitt Museum.

Deanery.454_BMC_f

Bed. ca. 1885-1887. Designed by Lockwood De Forest. Manufactured by Ahmedabad Wood Carving Company. Chased brass over teak core, perforated copper. Gift of Mary Patterson McPherson, President of Bryn Mawr College, 1978-1997. Bryn Mawr College Collections. Photographed by Karen Mauch. (Deanery.454)

Our bronze nineteenth-century Indian headboard will be featured in one of the new exhibitions at the December 12, 2014 grand reopening of the Cooper Hewitt Museum, Passion for the Exotic: Lockwood de Forest, Frederic Church.

cooper 2

Opening Exhibitions at the Cooper Hewitt Museum in December 2014. From http://www.cooperhewitt.org/events/opening-exhibitions/. Accessed 23 October 2014.

 

The headboard is part of a set of two that were designed by American artist, Lockwood de Forest. De Forest is probably best known for his introduction of East Indian art to the American and European aesthetic in his role of a designer and importer of exotic goods. The headboard is one example of the many pieces created by the Ahmedabad Wood Carving Company in India and exported to New York for de Forest’s business. The headboard is made of chased brass and perforated copper panels decorated with East Indian floral and animal motifs over a teak wood frame.

The headboard made its way to Bryn Mawr College by way of Mary Elizabeth Garrett, who purchased the headboard from de Forest for her Baltimore home. In 1904 Garrett left Baltimore to live with her partner, M. Carey Thomas, at Bryn Mawr College. Garrett brought a large quantity of her furniture with her, including the headboard. The headboard is just one of many examples of de Forest at Bryn Mawr College, as he worked closely with Garrett and Thomas from 1894-1909 decorating and furnishing a large portion of their campus home in the College Deanery. While the College Deanery no longer stands, de Forest’s work remains part of the college’s collections and can be viewed online on TriArte, the art and artifacts database of Bryn Mawr’s special collections.

The_Deanery,_Interior_View,_Miss_Garrett's_Bedroom,_Bryn_Mawr_College

Beds in Mary E. Garrett’s Bedroom, Deanery, Bryn Mawr College. February 9, 1968. Photographed by Karl A. Dimler. (PAB_Deanery_072)

De Forest’s East Indian aesthetic designs, as well as the work of his former teacher Frederic Church, are the subject of the exhibition at the Cooper-Hewitt museum. The exhibition provides an excellent opportunity to view our headboard alongside other pieces designed by de Forest. In addition, the Cooper Hewitt Museum is located in the former residence of Andrew Carnegie, who commissioned de Forest to decorate his library in his signature East Indian style, which remains part of the museum’s collection today.

carnegie2

Family Library in the Andrew Carnegie House, New York, 1898-1901. Designed by Lockwood De Forest. Image from the Cooper Hewitt, National Design Museum, Smithsonian Institution, New York and the Museum of the City of New York, New York. Published in Roberta A. Mayer, Lockwood de Forest: Furnishing the Gilded Age with a Passion for India (Newark: University of Delaware Press, 2008) p. 168, fig. 148.

This exhibition will provide an exciting opportunity to see a piece of Bryn Mawr College history embedded in a broader narrative of international design.

The Cooper Hewitt Museum has announced December 12, 2014 as the date of their grand re-opening.

Friday Finds on Halloween–The Legend of Sleepy Hollow

Sleepy Hollow - PlateHang on to your hat—and your head—for the next preview of the upcoming Halloween-themed “Friday Finds” talk!

Washington Irving’s The Legend of Sleepy Hollow has it all: romance, the supernatural, and a healthy dose of biting satire, all this from one of the pillars of the first generation of great American authors. Irving, who spent many years abroad in Europe, was deeply affected by stories and traditions of the old world. However, he brought a distinctly American flair to these stories, both in setting and wry, satirical tone.

Nowhere is this more evident than in the Legend of Sleepy Hollow, where traditional European tales of headless riders and huntsmen are reinterpreted in the Hudson Valley, where the exoticism of the New York Dutch heritage met the eerie upstate wilderness of America. While the monstrous encounter between Ichabod Crane and the phantom horseman is ambivalent, what is certain is the enduring humor in the description of the calculating and manipulative, yet irrationally superstitious, schoolteacher who likely deserves his comeuppance.

Bryn Mawr’s illustrated copy of Washington Irving’s best-known and most-adapted work will be available for your perusal at “Eerie Books: A Halloween Selection from Special Collections,” on Friday, October 31st, from 3:00-4:00 pm in Room 205 of Canaday Library. Come and page through it and other spooky selections yourself—if you dare!

Sleepy Hollow - Cover trimmed Trick or treat at Special Collections! Come to the talk in costume, and you may win a gift certificate to Main Point Books. Everyone will be welcome to treats to follow the talk!

Personal Digital Archiving Day

Remember these?

Remember these?

As new technologies appear, older ones become obsolete, making it difficult to access older content. Traditional information sources such as books, photos and sculptures can easily survive for years, decades or even centuries but digital items are fragile and require special care to keep them useable.

• Digital items are fragile and require special care to preserve them and keep them usable.

• Digital items depend on technology to make them available.

• Digital content requires active management to ensure its ongoing accessibility.

• Online programs (Facebook, Twitter, WordPress, etc.) have no guarantees to last forever.

Come to Personal Digital Archiving Day to learn how to save your digital materials long-term on October 23rd from 3-5 in Canaday 205.

Adapted from: http://digitalpreservation.gov/multimedia/videos/personalarchiving.html

Friday Finds on Halloween – spooky books, costume contest, and treats!

eerieBookOctober is upon us, and this can mean only one thing: Halloween celebrations beckon! For our part, the staff in Special Collections has brought together a spooky selection of books and art objects to thrill and delight in the Halloween edition of Friday Finds. This eerie assortment will be open to view and handle on Friday, October 31st, from 3:00-4:00 pm in Room 205 of Canaday Library. You’ll see books that we’ve organized into four categories: Masks and Fancy Dress; Witchcraft and Demons; the Living, the Dead, and the Undead; and Monsters! There will be a costume contest (details forthcoming) and a small selection of treats to follow.

As a teaser, one of the books that you will be able to look through is Fancy Dresses Described: or, What to Wear at Fancy Balls, by Ardern Holt, published in 1884. It is a detailed, illustrated handbook on fancy dress for the discerning Victorian woman. Alphabetized and cross-referenced for easy reference, this book outlines what exactly a society dame would need, for example, to assemble a costume representing an aquarium:

Fashionable evening dress of blue and green tulle, trimmed with marine plants and ornamented with fish and shells, the octopus on one side of the skirt; veil of green tulle; hair floating on shoulders. (p. 16)

Hornet costume pictureThose readers who need more than mere description will be delighted to find colored lithographs, such as this depiction of a Hornet costume (which is much akin to the Spelling Bee costume), and monochrome line drawings. These illustrations are liberally scattered among costumes which range from the abstract (Harvest) to the deeply specific (Philippa of Hainault, wife of Edward III of England). We hope you’ll enjoy it as much as we do.

Keep a look out in the upcoming weeks for sneak peeks of a few more of the items you’ll be able to peruse at the event and more details on the event itself.

Patrick Crowley, Rare Books Catalog Librarian

Reconnecting with the Bryn Mawr Deanery

The Bryn Mawr College Deanery has been the focus of my research this summer as a graduate intern in Special Collections. The Deanery was demolished in 1968 for the construction of Canaday Library–more recent generations of students have never heard of it, let alone seen it. However, a small piece of the Deanery does remain on campus–its garden, The Blanca Noel Taft Memorial Garden (’39). Despite the fact that it is no longer standing, the Deanery was a beautiful example of late-nineteenth-century American design and an important landmark in the history of Bryn Mawr College.

arieal view of deanery

Aerial View of the Deanery, ca. 1960’s (PAB_Deanery_008)

 

The Deanery was the campus residence of the first Dean and second President of the College, Martha Carey Thomas. From 1885 to 1922, the Deanery became a focal point on campus for students, faculty, and visitors, who attended events, teas, and meetings within its walls. When Thomas retired, she gave the building to the College and it was used as the Alumnae House until its demolition in 1968. Over the 83 years that the Deanery stood on campus it came to be a symbol of Bryn Mawr College itself.

In addition to its important role in the history of Bryn Mawr, the Deanery was an unusual example of late-nineteenth-century American décor. Thomas and her partner, Mary E. Garrett, greatly expanded the Deanery and lavishly decorated it with eclectic pieces of American, European, and Asian design. Several famous contemporary American artisans were involved in the project, including artists Lockwood de Forest and Louis Comfort Tiffany, and landscape designer John Charles Olmsted. Thomas and Garrett also traveled extensively and brought back objects they had purchased to the Deanery.

tiffany light

Stenciling and Light Fixture on Ceiling of M. Carey’s Study (the Blue Room) by Lockwood de Forest and Louis Comfort Tiffany

fu-dog

Japanese Fu-Dog Figurine, late 19th century, bronze with traces of gold leaf
Purchased by M. Carey Thomas for the Deanery (W.314)

 

Part of my work in Special Collections this summer has been to make more information about the importance and beauty of the Deanery accessible to a wider audience through two large projects: the completion of a Wikipedia article on the Deanery; and the creation of wall text and labels for objects from the Deanery now displayed in Wyndham.

 

If you have kept up with the Special Collections Blog, you know that Bryn Mawr College has been increasing its presence on Wikipedia, so my completion of the article begun by Rachel Starry and Joelle Collins about the Deanery was part of this larger project. Writing a Wikipedia article was a new experience for me. I have never written anything for such a broad audience so it was exciting to think that the interesting and important information I learned could be shared on such a large scale. {Wikipedia Article on the Deanery}

 

After the Deanery was demolished in 1968, Wyndham became the new alumnae house and the new home for a large number of pieces from the Deanery. Special Collections was interested in creating labels for many of these pieces, as well as several other objects of interest in Wyndham. It is my hope that students, alumnae, and visitors will have a greater appreciation for the amazing pieces that surround us every day on Bryn Mawr’s campus. It is a truly unusual atmosphere for any American college, whether large or small, single-sex or coed, private or public, to have such quality and quantity of wonderful pieces on display around campus.

temple vase

Chinese Cloisonné Vase, 19th century, metal and enamel
From the Deanery. Now on Display in Wyndham. (W.719)

taborouet

Octagonal Tabouret (Side Table), 19th century, possibly fabricated by Ahmedebad Furniture Workshop (India), wood with inlaid bone/ivory
From the Deanery. Now on Display in Wyndham. (Deanery.405)

 

 

 

 

 

 

 

 

 

 

 

While the Deanery is long gone, the history surrounding it and the art that filled it remain. It is my hope that through endeavors such as the Wikipedia page, labels in Wyndham, and perhaps even a future exhibition on the Deanery, new generations of Bryn Mawr students will hold it as dear as their predecessors.

 

Emily Moore

Ph.D. Candidate in the Department of Classical and Near Eastern Archaeology